My galley copy of Volcano Monkeys isn’t the final version. I got lots of notes telling me that the cover’s not final, the text isn’t final, and that there’s going to be lots more illustrations and that they’ll be in color. It looks like the first two chapters of my copy are more or less finalized because they do have nice, big, color illustrations, but I’m not going to nitpick the writing details too strongly because for all I know they’re going to change. I don’t need to nitpick the art at all because even the not-final, black-and-white parts are fantastic. The final art is going to be whatever the next level above “fantastic” is.
I like the final cover art better. It’s essentially the same as my version, but instead of having our heroes Basil and Louise in little, white boxes, they’re riding the pterodactyl, which is exactly where they should be. After all, that’s what they do in the story.
Volcano Monkeys is full of that kind of thing. In addition to pterodactyl riding there are also world-conquering mad scientists, personal submarines, magic, giant owls, underground headquarters, and of course: a hidden island, a volcano, and lots of talking monkeys.
It’s all about a 12-year-old boy named Basil Pepperell who lives in a lighthouse with his mom. He’s missing when the story begins, but is soon returned home by a dark, menacing figure in a long overcoat and wide-brimmed, face-obscuring hat. Basil doesn’t stay home for long though. Wherever he’s just been, he left his friend Louise (from the floating city of Helios) there and he needs to get back to save her. Enter Professor McGookin and his submarine.
I’ll leave you to discover what happens next, but it’s all good. I’m tempted to say that Volcano Monkeys is overflowing with adventure that I would’ve loved as a young reader, but the truth is that I also loved it as an adult. And I expect anyone else with a soul will too.
Four out of five Keiras.
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